- #Apple mainstage concert file how to#
- #Apple mainstage concert file Patch#
- #Apple mainstage concert file pro#
- #Apple mainstage concert file software#
And seamless Patch switching lets you hold a chord in one sound while moving to a new Patch. With Multimapping, you can map multiple parameters to a single control, so you can smoothly manipulate your sound without trying to turn several knobs at once. Start walking a bass line up the keyboard, and the split point moves up so the bass doesn’t suddenly become some other sound when you get into the higher notes. It intelligently moves the split point on a split keyboard Patch to respond to what you’re playing.
For starters, there’s the Floating Split Point.
#Apple mainstage concert file software#
MainStage is not only an amazing host for software instruments and effects, it’s also packed with innovations that let you shine on stage. Or bring the authentic sounds of a Hammond B3 organ, Hohner Clavinet D6, or Fender Rhodes or Wurlitzer electric pianos on stage. Use Retro Synth to re-create your favorite electronic sounds from the ’70s and ’80s with an intuitive set of controls. And Chord Trigger allows you to press a single note and have it trigger an entire complex chord. The Arpeggiator features note-based remote controls and flexible latch modes. Simply take note of that functionality and reproduce it in your concert.Take your performance beyond what you can actually perform. These instances may need to be recreated in your concert in order to gain their functionality. Some of the patches include buttons or rotary knobs that are linked to various functions inside those patches. A dialog box will open where you can select and individual patch to load into your concert. Click on that same “gear” icon and then select Load Patch / Set…” from the drop down menu. Then select “Save as Patch…” from the drop down menu.Ĭlose that concert, then open up the concert where the patches will be used. To export patch, highlight the patch then click on the “gear” icon at the top right. There is only one acceptable way to move a master patch from one MainStage concert to another, and that is through the use of the Export and Import functions. While the cut and paste functions are typical conventions on the Mac, more than a few MainStage users have had unexpected – and tragic – results doing so. To make that happen however, there could be a few issues to consider.įirst and foremost, NEVER cut and paste patches between concerts. Most MainStage users may already have concerts that are configured to their own keyboard setups, so it’s natural that they will want to import these sound sets into their existing concerts. If that doesn’t take care of the issues, then go into each patch where the EVOC PS plugin is used and make further adjustments there. I HIGHLY recommend whenever possible to start by adjusting the microphone gain at the Interface first. Since every situation can be different, you’ll have to make adjustments to compensate for these issues.
#Apple mainstage concert file pro#
A Logic Pro session with pre-mapped buses. Also, bleed through from other instruments such as the drums, guitars, or whatever can trigger the vocoder in undesirable ways. 2 MainStage Concert files - one for users without BackStage Pass, and one with BackStage Pass Combo patches. You’ll have to adjust for this just like any other feedback issue – lower your microphone gain, lower the Sensitivity setting, adjust your position relative to the FOH speakers, etc. Some words of caution – In close quarters or where there may be live monitors or Front Of House speakers close by, a high sensitivity setting can cause feed back through the system when you play the vocoder plugin on your keyboard. Then while you’re playing the keyboard and speaking into the microphone, adjust the Sensitivity setting so you get the response you expect. At the upper right hand corner of the plugin, you’ll see a drop down menu labeled Side Chain: Simply click on the drop down menu next to it and select the input channel of the interface where your Microphone is connected.
#Apple mainstage concert file how to#
When you connect your microphone to your interface and have the gain set properly, the next step is to tell each instance of the EVOC PS plugin how to accept it’s input. Good quality audio interfaces are fairly inexpensive and just the increased audio quality of MainStage’s output alone is totally worth the expense.
You’re not using an Audio Interface with MainStage you say? Well, it is possible to use the microphone input jack on Mac’s that have that connectivity, but this it typically not recommended and it’s something I cannot support with a high degree of reliability. The first step will be to connect a microphone to your audio interface so that MainStage can see the input. Concerts that use the EVOC PS plugin need to be configured to work with your system.